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§ 1006. —  Entitlement to royalty payments.



[Laws in effect as of January 24, 2002]
[Document not affected by Public Laws enacted between
  January 24, 2002 and December 19, 2002]
[CITE: 17USC1006]

 
                          TITLE 17--COPYRIGHTS
 
          CHAPTER 10--DIGITAL AUDIO RECORDING DEVICES AND MEDIA
 
                     SUBCHAPTER C--ROYALTY PAYMENTS
 
Sec. 1006. Entitlement to royalty payments

    (a) Interested Copyright Parties.--The royalty payments deposited 
pursuant to section 1005 shall, in accordance with the procedures 
specified in section 1007, be distributed to any interested copyright 
party--
        (1) whose musical work or sound recording has been--
            (A) embodied in a digital musical recording or an analog 
        musical recording lawfully made under this title that has been 
        distributed, and
            (B) distributed in the form of digital musical recordings or 
        analog musical recordings or disseminated to the public in 
        transmissions, during the period to which such payments pertain; 
        and

        (2) who has filed a claim under section 1007.

    (b) Allocation of Royalty Payments to Groups.--The royalty payments 
shall be divided into 2 funds as follows:
        (1) The sound recordings fund.--66\2/3\ percent of the royalty 
    payments shall be allocated to the Sound Recordings Fund. 2\5/8\ 
    percent of the royalty payments allocated to the Sound Recordings 
    Fund shall be placed in an escrow account managed by an independent 
    administrator jointly appointed by the interested copyright parties 
    described in section 1001(7)(A) and the American Federation of 
    Musicians (or any successor entity) to be distributed to nonfeatured 
    musicians (whether or not members of the American Federation of 
    Musicians or any successor entity) who have performed on sound 
    recordings distributed in the United States. 1\3/8\ percent of the 
    royalty payments allocated to the Sound Recordings Fund shall be 
    placed in an escrow account managed by an independent administrator 
    jointly appointed by the interested copyright parties described in 
    section 1001(7)(A) and the American Federation of Television and 
    Radio Artists (or any successor entity) to be distributed to 
    nonfeatured vocalists (whether or not members of the American 
    Federation of Television and Radio Artists or any successor entity) 
    who have performed on sound recordings distributed in the United 
    States. 40 percent of the remaining royalty payments in the Sound 
    Recordings Fund shall be distributed to the interested copyright 
    parties described in section 1001(7)(C), and 60 percent of such 
    remaining royalty payments shall be distributed to the interested 
    copyright parties described in section 1001(7)(A).
        (2) The musical works fund.--
            (A) 33\1/3\ percent of the royalty payments shall be 
        allocated to the Musical Works Fund for distribution to 
        interested copyright parties described in section 1001(7)(B).
            (B)(i) Music publishers shall be entitled to 50 percent of 
        the royalty payments allocated to the Musical Works Fund.
            (ii) Writers shall be entitled to the other 50 percent of 
        the royalty payments allocated to the Musical Works Fund.

    (c) Allocation of Royalty Payments Within Groups.--If all interested 
copyright parties within a group specified in subsection (b) do not 
agree on a voluntary proposal for the distribution of the royalty 
payments within each group, the Librarian of Congress shall convene a 
copyright arbitration royalty panel which shall, pursuant to the 
procedures specified under section 1007(c), allocate royalty payments 
under this section based on the extent to which, during the relevant 
period--
        (1) for the Sound Recordings Fund, each sound recording was 
    distributed in the form of digital musical recordings or analog 
    musical recordings; and
        (2) for the Musical Works Fund, each musical work was 
    distributed in the form of digital musical recordings or analog 
    musical recordings or disseminated to the public in transmissions.

(Added Pub. L. 102-563, Sec. 2, Oct. 28, 1992, 106 Stat. 4242; amended 
Pub. L. 103-198, Sec. 6(b)(3), Dec. 17, 1993, 107 Stat. 2312; Pub. L. 
105-80, Sec. 12(a)(24), Nov. 13, 1997, 111 Stat. 1535.)


                               Amendments

    1997--Subsec. (b)(1). Pub. L. 105-80 substituted ``Federation of 
Television'' for ``Federation Television'' before ``and Radio Artists or 
any successor entity)''.
    1993--Subsec. (c). Pub. L. 103-198 substituted ``Librarian of 
Congress shall convene a copyright arbitration royalty panel which'' for 
``Copyright Royalty Tribunal'' in introductory provisions.

                  Section Referred to in Other Sections

    This section is referred to in sections 802, 1007 of this title.



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