US LAWS, STATUTES & CODES ON-LINE

US Supreme Court Decisions On-Line | US Laws



§ 118. —  Scope of exclusive rights: Use of certain works in connection with noncommercial broadcasting.



[Laws in effect as of January 24, 2002]
[Document not affected by Public Laws enacted between
  January 24, 2002 and December 19, 2002]
[CITE: 17USC118]

 
                          TITLE 17--COPYRIGHTS
 
            CHAPTER 1--SUBJECT MATTER AND SCOPE OF COPYRIGHT
 
Sec. 118. Scope of exclusive rights: Use of certain works in 
        connection with noncommercial broadcasting
        
    (a) The exclusive rights provided by section 106 shall, with respect 
to the works specified by subsection (b) and the activities specified by 
subsection (d), be subject to the conditions and limitations prescribed 
by this section.
    (b) Notwithstanding any provision of the antitrust laws, any owners 
of copyright in published nondramatic musical works and published 
pictorial, graphic, and sculptural works and any public broadcasting 
entities, respectively, may negotiate and agree upon the terms and rates 
of royalty payments and the proportionate division of fees paid among 
various copyright owners, and may designate common agents to negotiate, 
agree to, pay, or receive payments.
        (1) Any owner of copyright in a work specified in this 
    subsection or any public broadcasting entity may submit to the 
    Librarian of Congress proposed licenses covering such activities 
    with respect to such works. The Librarian of Congress shall proceed 
    on the basis of the proposals submitted as well as any other 
    relevant information. The Librarian of Congress shall permit any 
    interested party to submit information relevant to such proceedings.
        (2) License agreements voluntarily negotiated at any time 
    between one or more copyright owners and one or more public 
    broadcasting entities shall be given effect in lieu of any 
    determination by the Librarian of Congress: Provided, That copies of 
    such agreements are filed in the Copyright Office within thirty days 
    of execution in accordance with regulations that the Register of 
    Copyrights shall prescribe.
        (3) In the absence of license agreements negotiated under 
    paragraph (2), the Librarian of Congress shall, pursuant to chapter 
    8, convene a copyright arbitration royalty panel to determine and 
    publish in the Federal Register a schedule of rates and terms which, 
    subject to paragraph (2), shall be binding on all owners of 
    copyright in works specified by this subsection and public 
    broadcasting entities, regardless of whether such copyright owners 
    have submitted proposals to the Librarian of Congress. In 
    establishing such rates and terms the copyright arbitration royalty 
    panel may consider the rates for comparable circumstances under 
    voluntary license agreements negotiated as provided in paragraph 
    (2). The Librarian of Congress shall also establish requirements by 
    which copyright owners may receive reasonable notice of the use of 
    their works under this section, and under which records of such use 
    shall be kept by public broadcasting entities.

    (c) The initial procedure specified in subsection (b) shall be 
repeated and concluded between June 30 and December 31, 1997, and at 
five-year intervals thereafter, in accordance with regulations that the 
Librarian of Congress shall prescribe.
    (d) Subject to the terms of any voluntary license agreements that 
have been negotiated as provided by subsection (b)(2), a public 
broadcasting entity may, upon compliance with the provisions of this 
section, including the rates and terms established by a copyright 
arbitration royalty panel under subsection (b)(3), engage in the 
following activities with respect to published nondramatic musical works 
and published pictorial, graphic, and sculptural works:
        (1) performance or display of a work by or in the course of a 
    transmission made by a noncommercial educational broadcast station 
    referred to in subsection (g); and
        (2) production of a transmission program, reproduction of copies 
    or phonorecords of such a transmission program, and distribution of 
    such copies or phonorecords, where such production, reproduction, or 
    distribution is made by a nonprofit institution or organization 
    solely for the purpose of transmissions specified in paragraph (1); 
    and
        (3) the making of reproductions by a governmental body or a 
    nonprofit institution of a transmission program simultaneously with 
    its transmission as specified in paragraph (1), and the performance 
    or display of the contents of such program under the conditions 
    specified by paragraph (1) of section 110, but only if the 
    reproductions are used for performances or displays for a period of 
    no more than seven days from the date of the transmission specified 
    in paragraph (1), and are destroyed before or at the end of such 
    period. No person supplying, in accordance with paragraph (2), a 
    reproduction of a transmission program to governmental bodies or 
    nonprofit institutions under this paragraph shall have any liability 
    as a result of failure of such body or institution to destroy such 
    reproduction: Provided, That it shall have notified such body or 
    institution of the requirement for such destruction pursuant to this 
    paragraph: And provided further, That if such body or institution 
    itself fails to destroy such reproduction it shall be deemed to have 
    infringed.

    (e) Except as expressly provided in this subsection, this section 
shall have no applicability to works other than those specified in 
subsection (b). Owners of copyright in nondramatic literary works and 
public broadcasting entities may, during the course of voluntary 
negotiations, agree among themselves, respectively, as to the terms and 
rates of royalty payments without liability under the antitrust laws. 
Any such terms and rates of royalty payments shall be effective upon 
filing in the Copyright Office, in accordance with regulations that the 
Register of Copyrights shall prescribe.
    (f) Nothing in this section shall be construed to permit, beyond the 
limits of fair use as provided by section 107, the unauthorized 
dramatization of a nondramatic musical work, the production of a 
transmission program drawn to any substantial extent from a published 
compilation of pictorial, graphic, or sculptural works, or the 
unauthorized use of any portion of an audiovisual work.
    (g) As used in this section, the term ``public broadcasting entity'' 
means a noncommercial educational broadcast station as defined in 
section 397 of title 47 and any nonprofit institution or organization 
engaged in the activities described in paragraph (2) of subsection (d).

(Pub. L. 94-553, title I, Sec. 101, Oct. 19, 1976, 90 Stat. 2565; Pub. 
L. 103-198, Sec. 4, Dec. 17, 1993, 107 Stat. 2309; Pub. L. 106-44, 
Sec. 1(g)(3), Aug. 5, 1999, 113 Stat. 222; Pub. L. 107-273, div. C, 
title III, Sec. 13210(7), Nov. 2, 2002, 116 Stat. 1909.)


                      Historical and Revision Notes

                        house report no. 94-1476

    General Background. During its consideration of revision legislation 
in 1975, the Senate Judiciary Committee adopted an amendment offered by 
Senator Charles McC. Mathias. The amendment, now section 118 of the 
Senate bill [this section], grants to public broadcasting a compulsory 
license for use of nondramatic literary and musical works, as well as 
pictorial, graphic, and sculptural works, subject to payment of 
reasonable royalty fees to be set by the Copyright Royalty Tribunal 
established by that bill. The Mathias amendment requires that public 
broadcasters, at periodic intervals, file a notice with the Copyright 
Office containing information required by the Register of Copyrights and 
deposit a statement of account and the total royalty fees for the period 
covered by the statement. In July of each year all persons having a 
claim to such fees are to file their claims with the Register of 
Copyrights. If no controversy exists, the Register would distribute the 
royalties to the various copyright owners and their agents after 
deducting reasonable administrative costs; controversies are to be 
settled by the Tribunal.
    On July 10, 1975, the House Subcommittee heard testimony on the 
Mathias amendment from representatives of public broadcasters, authors, 
publishers, and music performing rights societies. The public 
broadcasters pointed to Congressional concern for the development of 
their activities as evidenced by the Public Broadcasting Act [47 U.S.C. 
390 et seq.]. They urged that a compulsory license was essential to 
assure public broadcasting broad access to copyrighted materials at 
reasonable royalties and without administratively cumbersome and costly 
``clearance'' problems that would impair the vitality of their 
operations. The opponents of the amendment argued that the nature of 
public broadcasting has changed significantly in the past decade, to the 
extent that it now competes with commercial broadcasting as a national 
entertainment and cultural medium. They asserted that the performing 
rights society arrangements under which copyrighted music is licensed 
for performance removed any problem in clearing music for broadcasting, 
and that voluntary agreements could adequately resolve the copyright 
problems feared by public broadcasters, at less expense and burden than 
the compulsory license, for synchronization and literary rights. The 
authors of literary works stressed that a compulsory licensing system 
would deny them the fundamental right to control the use of their works 
and protect their reputation in a major communications medium.
    General Policy Considerations. The Committee is cognizant of the 
intent of Congress, in enacting the Public Broadcasting Act on November 
7, 1967 [47 U.S.C. 390 et seq.], that encouragement and support of 
noncommercial broadcasting is in the public interest. It is also aware 
that public broadcasting may encounter problems not confronted by 
commercial broadcasting enterprises, due to such factors as the special 
nature of programming, repeated use of programs, and, of course, limited 
financial resources. Thus, the Committee determined that the nature of 
public broadcasting does warrant special treatment in certain areas. 
However, the Committee did not feel that the broad compulsory license 
provided in the Senate bill is necessary to the continued successful 
operation of public broadcasting. In addition, the Committee believes 
that the system provided in the Senate bill for the deposit of royalty 
fees with the Copyright Office for distribution to claimants, and the 
resolution of disputes over such distribution by a statutory tribunal, 
can be replaced by payments directly between the parties, without the 
intervention of government machinery and its attendant administrative 
costs.
    In general, the Committee amended the public broadcasting provisions 
of the Senate bill toward attainment of the objective clearly stated in 
the Report of the Senate Judiciary Committee, namely, that copyright 
owners and public broadcasters be encouraged to reach voluntary private 
agreements.
    Procedures. Not later than thirty days following the publication by 
the President of the notice announcing the initial appointments to the 
Copyright Royalty Commission (specified in Chapter 8 [Sec. 801 et seq. 
of this title]), the Chairman of the Commission is to publish notice in 
the Federal Register of the initiation of proceedings to determine 
``reasonable terms and rates'' for certain uses of published nondramatic 
musical works and published pictorial, graphic and sculptural works, 
during a period ending on December 31, 1982.
    Copyright owners and public broadcasting entities that do not reach 
voluntary agreement are bound by the terms and rates established by the 
Commission, which are to be published in the Federal Register within six 
months of the notice of initiation of proceedings. During the period 
between the effective date of the Act [Jan. 1, 1978] and the publication 
of the rates and terms, the Committee has preserved the status quo by 
providing, in section 118(b)(4), that the Act does not afford to 
copyright owners or public broadcasting entities any greater or lesser 
rights with respect to the relevant uses of nondramatic musical works 
and pictorial, graphic, and sculptural works than those afforded under 
the law in effect on December 31, 1977.
    License agreements that have been voluntarily negotiated supersede, 
as between the parties to the agreement, the terms and rates established 
by the Commission, provided that copies of the agreements are properly 
filed with the Copyright Office within 30 days of execution. Under 
clause (2) of section 118(b), the agreements may be negotiated ``at any 
time''--whether before, during, or after determinations by the 
Commission.
    Under section 118(c), the procedures for the Commission's 
establishing such rates and terms are to be repeated in the last half of 
1982 and every five years thereafter.
    Establishment of Reasonable Terms and Rates. In establishing 
reasonable terms and rates for public broadcasting use of the specified 
works, the Commission, under clause (b)(1) of section 118 is to consider 
proposals timely submitted to it, as well as ``any other relevant 
information'', including that put forward for its consideration ``by any 
interested party.''
    The Committee does not intend that owners of copyrighted material be 
required to subsidize public broadcasting. It is intended that the 
Commission assure a fair return to copyright owners without unfairly 
burdening public broadcasters. Section 118(b)(3) provides that ``the 
Commission may consider the rates for comparable circumstances under 
voluntary license agreements.'' The Commission is also expected to 
consider both the general public interest in encouraging the growth and 
development of public broadcasting, and the ``promotion of science and 
the useful arts'' through the encouragement of musical and artistic 
creation.
    The Committee anticipates that the ``terms'' established by the 
Commission shall include provisions as to acceptable methods of payment 
of royalties by public broadcasting entities to copyright owners. For 
example, where the whereabouts of the copyright owner may not be readily 
known, the terms should specify the nature of the obligation of the 
public broadcasting entity to locate the owner, or to set aside or 
otherwise assure payment of appropriate royalties, should he or she 
appear and make a claim. Section 118(b)(3) requires the Commission ``to 
establish requirements by which copyright owners may receive reasonable 
notice of the use of their works.'' The Committee intends that these 
requirements shall not impose undue hardships on public broadcasting 
entities and, in the above illustration, shall provide for the specific 
termination of any period during which the public broadcasting entity is 
required to set aside payments. It is expected that, in some cases, 
especially in the area of pictorial, graphic, and sculptural works, the 
whereabouts of the owners of copyright may not be known and they may 
never appear to claim payment of royalties.
    The Commission is also to establish record keeping requirements for 
public broadcasting entities in order to facilitate the identification, 
calculation, allocation and payment of claims and royalties.
    Works Affected. Under sections 118(b) and (e) of the Committee's 
amendment, the establishment of rates and terms by the Copyright Royalty 
Commission pertains only to the use of published nondramatic musical 
works, and published pictorial, graphic, and sculptural works. As under 
the Senate bill; rights in plays, operas, ballet and other stage 
presentations, motion pictures, and other audiovisual works are not 
affected.
    Section 118(f) is intended to make clear that this section does not 
permit unauthorized use, beyond the limits of section 107, of individual 
frames from a filmstrip or any other portion of any audiovisual work. 
Additionally, the application of this section to pictorial, graphic, and 
sculptural works does not extend to the production of transmission 
programs drawn to any substantial extent from a compilation of such 
works.
    The Committee also concluded that the performance of nondramatic 
literary works should not be subject to Commission determination. It was 
particularly concerned that a compulsory license for literary works 
would result in loss of control by authors over the use of their work in 
violation of basic principles of artistic and creative freedom. It is 
recognized that copyright not only provides compensation to authors, but 
also protection as to how and where their works are used. The Committee 
was assured by representatives of authors and publishers that licensing 
arrangements for readings from their books, poems, and other works on 
public broadcasting programs for reasonable compensation and under 
reasonable safeguards for authors' rights could be worked out in private 
negotiation. The Committee strongly urges the parties to work toward 
mutually acceptable licenses; to facilitate their negotiations and aid 
in the possible establishment of clearance mechanisms and rates, the 
Committee's amendment provides the parties, in section 118(e)(1), with 
an appropriately limited exemption from the antitrust laws [15 U.S.C. 1 
et seq.].
    The Committee has also provided, in paragraph (2) of clause (e), 
that on January 3, 1980, the Register of Copyrights, after consultation 
with the interested parties, shall submit a report to Congress on the 
extent to which voluntary licensing arrangements have been reached with 
respect to public broadcast use of nondramatic literary works, and 
present legislative or other recommendations, if warranted.
    The use of copyrighted sound recordings in educational television 
and radio programs distributed by or through public broadcasting 
entities is governed by section 114 and is discussed in connection with 
that section.
    Activities Affected. Section 118(d) specifies the activities which 
may be engaged in by public broadcasting entities under terms and rates 
established by the Commission. These include the performance or display 
of published nondramatic musical works, and of published pictorial, 
graphic, and sculptural works, in the course of transmissions by 
noncommercial educational broadcast stations; and the production, 
reproduction, and distribution of transmission programs including such 
works by nonprofit organizations for the purpose of such transmissions. 
It is the intent of the Committee that ``interconnection'' activities 
serving as a technical adjunct to such transmissions, such as the use of 
satellites or microwave equipment, be included within the specified 
activities.
    Paragraph (3) of clause (d) also includes the reproduction, 
simultaneously with transmission, of public broadcasting programs by 
governmental bodies or nonprofit institutions, and the performance or 
display of the contents of the reproduction under the conditions of 
section 110(1). However, the reproduction so made must be destroyed at 
the end of seven days from the transmission.
    This limited provision for unauthorized simultaneous or off-the-air 
reproduction is limited to nondramatic musical works and pictorial, 
graphic and sculptural works included in public broadcasting 
transmissions. It does not extend to other works included in the 
transmissions, or to the entire transmission program.
    It is the intent of the Committee that schools be permitted to 
engage in off-the-air reproduction to the extent and under the 
conditions provided in [section] 118(d)(3); however, in the event a 
public broadcasting station or producer makes the reproduction and 
distributes a copy to the school, the station or producer will not be 
held liable for the school's failure to destroy the reproduction, 
provided it has given notice of the requirement of destruction. In such 
a case the school itself, although it did not engage in the act of 
reproduction, is deemed an infringer fully subject to the remedies 
provided in Chapter 5 of the Act [Sec. 501 et seq. of this title]. The 
establishment of standards for adequate notice under this provision 
should be considered by the Commission.
    Section 118(f) makes it clear that the rights of performance and 
other activities specified in subsection (d) do not extend to the 
unauthorized dramatization of a nondramatic musical work.

                       References in Text

    The antitrust laws, referred to in subsecs. (b) and (e), are 
classified generally to chapter 1 (Sec. 1 et seq.) of Title 15, Commerce 
and Trade.


                               Amendments

    2002--Subsec. (b)(1). Pub. L. 107-273 struck out ``to it'' after 
``proposals submitted'' in second sentence.
    1999--Subsec. (e). Pub. L. 106-44 struck out ``(1)'' before ``Owners 
of'' and struck out par. (2) which read as follows: ``On January 3, 
1980, the Register of Copyrights, after consulting with authors and 
other owners of copyright in nondramatic literary works and their 
representatives, and with public broadcasting entities and their 
representatives, shall submit to the Congress a report setting forth the 
extent to which voluntary licensing arrangements have been reached with 
respect to the use of nondramatic literary works by such broadcast 
stations. The report should also describe any problems that may have 
arisen, and present legislative or other recommendations, if 
warranted.''
    1993--Subsec. (b). Pub. L. 103-198, Sec. 4(1)(A), (B), struck out 
first two sentences which read as follows: ``Not later than thirty days 
after the Copyright Royalty Tribunal has been constituted in accordance 
with section 802, the Chairman of the Tribunal shall cause notice to be 
published in the Federal Register of the initiation of proceedings for 
the purpose of determining reasonable terms and rates of royalty 
payments for the activities specified by subsection (d) with respect to 
published nondramatic musical works and published pictorial, graphic, 
and sculptural works during a period beginning as provided in clause (3) 
of this subsection and ending on December 31, 1982. Copyright owners and 
public broadcasting entities shall negotiate in good faith and cooperate 
fully with the Tribunal in an effort to reach reasonable and expeditious 
results.'', and in third sentence substituted ``published nondramatic 
musical works and published pictorial, graphic, and sculptural works'' 
for ``works specified by this subsection''.
    Subsec. (b)(1). Pub. L. 103-198, Sec. 4(1)(C), struck out ``, within 
one hundred and twenty days after publication of the notice specified in 
this subsection,'' after ``broadcasting entity may'' and substituted 
``Librarian of Congress'' for ``Copyright Royalty Tribunal'' wherever 
appearing.
    Subsec. (b)(2). Pub. L. 103-198, Sec. 4(1)(D), substituted 
``Librarian of Congress'' for ``Tribunal''.
    Subsec. (b)(3). Pub. L. 103-198, Sec. 4(1)(E)(ii), (iii), in second 
sentence, substituted ``copyright arbitration royalty panel'' for 
``Copyright Royalty Tribunal'' and ``paragraph (2)'' for ``clause (2) of 
this subsection'', and in last sentence, substituted ``Librarian of 
Congress'' for ``Copyright Royalty Tribunal''.
    Pub. L. 103-198, Sec. 4(1)(E)(i), substituted first sentence for 
former first sentence which read as follows: ``Within six months, but 
not earlier than one hundred and twenty days, from the date of 
publication of the notice specified in this subsection the Copyright 
Royalty Tribunal shall make a determination and publish in the Federal 
Register a schedule of rates and terms which, subject to clause (2) of 
this subsection, shall be binding on all owners of copyright in works 
specified by this subsection and public broadcasting entities, 
regardless of whether or not such copyright owners and public 
broadcasting entities have submitted proposals to the Tribunal.''
    Subsec. (b)(4). Pub. L. 103-198, Sec. 4(1)(F), struck out par. (4) 
which read as follows: ``With respect to the period beginning on the 
effective date of this title and ending on the date of publication of 
such rates and terms, this title shall not afford to owners of copyright 
or public broadcasting entities any greater or lesser rights with 
respect to the activities specified in subsection (d) as applied to 
works specified in this subsection than those afforded under the law in 
effect on December 31, 1977, as held applicable and construed by a court 
in an action brought under this title.''
    Subsec. (c). Pub. L. 103-198, Sec. 4(2), substituted ``1997'' for 
``1982'' and ``Librarian of Congress'' for ``Copyright Royalty 
Tribunal''.
    Subsec. (d). Pub. L. 103-198, Sec. 4(3), in introductory provisions, 
struck out ``to the transitional provisions of subsection (b)(4), and'' 
after ``Subject'' and substituted ``a copyright arbitration royalty 
panel'' for ``the Copyright Royalty Tribunal'', and in pars. (2) and 
(3), substituted ``paragraph'' for ``clause'' wherever appearing.
    Subsec. (g). Pub. L. 103-198, Sec. 4(4), substituted ``paragraph'' 
for ``clause''.


                             Effective Date

    Section effective Oct. 19, 1976, see section 102 of Pub. L. 94-553, 
set out as a note preceding section 101 of this title.

                  Section Referred to in Other Sections

    This section is referred to in sections 106, 114, 501, 504, 511, 
801, 802, 803, 1203, 1204 of this title; title 18 section 2319.



chanrobles.com.Com


ChanRobles Legal Resources:

ChanRobles On-Line Bar Review

ChanRobles Internet Bar Review : www.chanroblesbar.com

ChanRobles MCLE On-line

ChanRobles Lawnet Inc. - ChanRobles MCLE On-line : www.chanroblesmcleonline.com